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                    Ayrshire                  A particularly small Authority, which demonstrated strength
                  in depth and breadth. Imagination and creativity were on display
                  throughout and nowhere more so than through a near plethora
                  of partnerships and collaborations which enabled the skills
                  and talents of professional musicians to be drawn upon in abundance.
                  Singing was well established with good opportunities for choral
                  development. Apart from popular music, such as rock, most genres
                  were covered and excitingly so. And amidst all that industry,
                  time and space was found for gifted and talented young composition
                  students with a series of workshops delivered by the Scottish
                  Chamber Orchestra, which also performed works by the young
                  composers.  East Ayrshire’s coal mining heritage and the 50th anniversary
									  of a local pit disaster were the subject of a musical project involving
									  630 pupils in18 primary schools and leading to seven costumed performances.  An even smaller Authority, East
								    Lothian, can boast
								  of an extensive range of provision from pre-school to adult,
								    from school mainstream to prison education, vocal and instrumental,
								    classical, Scottish traditional, some rock and jazz and world musics.
								    Project work offered much in the way of musical development whilst
								    at the same time accommodating feelings and self-esteem. There was
								    good use of digital technology in the secondary sector. We were impressed
								    by an informal music education project offering tuition, rehearsal
								    and public performance opportunities to children and young people
								    aged between 8 and 25. The emphasis on developing young people’s
								    original music has been applauded also by the PRS Foundation for
								    New Music as has the splendid work being undertaken at HM Prison
								    Saughton. One of many new initiatives to catch our eyes was the setting
								    up of a Youth Music Forum to support and develop a network for young
								    people’s
								  music in the area. The aim is to develop a strategic approach
								    to youth music development, including community involvement opportunities,
								    strengthening links and pathways between schools, colleges, community
								    music and the professional music sector, and sharing expertise and
								    resources. To that end, a full mapping exercise is under way. We
								    look forward to further reports. Hertfordshire are an education authority
								  with a long tradition of high quality provision. Always well
								  resourced and enterprising; all genres treated seriously and imaginatively,
								  which along with the practice of collaborative working with the many
								  local authorities in the County and the Music Service’s commitment
								  to lifelong learning, means that community cohesion is more
								  real than mere rhetoric. There is still a way to go with the reach
								  of Wider Opportunities programmes, but the Music Service’s support
								  for school curriculum delivery generally is outstanding. And one of
								  the main reasons why that is possible is the high quality and breadth
								  of the CPD courses and activities made available. And, as always, with
								  this Authority, the volume and range of regular performance opportunities
								  through ensembles of all sizes and types, in and out of school, could
								  hardly be bettered. And whilst this rich mix doesn’t need icing,
								  there is icing aplenty in the national recognition accorded to the
								  Authority for their major capital investment, as part of Building Schools
								  for the Future, in a new home for the Watford School of Music and the
								  Watford Boys Grammar School Music Department., which comprises a 250
								  seat concert hall and 24 discrete rehearsal and practice spaces spread
								  across four floors. Highlights of Oxfordshire’s year included successful
								  pilots for extended schools projects where the Music Service worked
								  in collaboration with museums, libraries, day centres and City Council
								  holiday schemes to provide music opportunities which re-engaged children,
								  young people and adults, enriching learning in formal and informal
								  settings. And while we may have some residual reservations about the
								  specialist schools concept, we welcomed the way in which one such transformation
							  included the establishment of a Saturday morning music school.  The County-wide Music Education Group of over 30 local musicians
									  and organisations only begins to be representative of an enormous
									  number (the list runs to three pages!) of partnerships and collaborations.
									  The Music Service’s strong commitment to integration with the
									  school curriculum is evidenced in several ways as is the commitment
									  to INSET and CPD. And, predictably, we have to say, so far as this
									  education authority are concerned, the range and scope of opportunities
									  provided throughout the year for regular ensemble/workshop and out
									  of school hours playing in all genres are as impressive as ever. While Redbridge’s year was chock full of new
								  initiatives, it was the activity level in the 39 Wider Opportunities
								  schemes implemented in the year which caught our attention. 90 per
								  cent of primary schools participated and a good range of instruments,
								  including for world musics, was available, and lessons comprised singing,
								  rhythm and general musicianship skills. To reinforce the inclusivity
								  of the programmes, schools were asked to provide detailed information
								  about pupils with special educational needs. The Music Service was
								  up to speed with music technology, and is yet another Service providing
								  a substantial number of examples of how much more can be achieved through
								  effective partnerships. Notwithstanding a well above average-sized
								  school population, the Music Service also provided for adults, both
							  directly and in kind. Choral work was strong, and the very substantial spread of instruments
									  available facilitated the seemingly innumerable group instrumental
									  performance opportunities. We agree with Jazz Services that by virtue
									  of the work with the Grand Union Youth Orchestra, the jazz know-how
									  of members of staff and the high profile locally of its own student
									  jazz orchestra, the Music Service is well on the way to making a distinctive
									  contribution to jazz education.  It was worth waiting the five years since we last received a submission
									  from Redbridge! Southwark maintained their heavy emphasis on the
								  development of Wider Opportunities programmes. A much needed extension
								  of the range of available instruments is planned as is the introduction
								  of programmes into more schools. The Wider Opportunities focus, apart
								  from the intrinsic merits of the concept, makes sense and indeed succeeds
								  because all the instrumental tutors are employed directly by the schools.
								  We hope the planned pilot for extension of Wider Opportunities into
								  key stage three, bravely based on Musical Futures, bears fruit. There
								  was also a focus on extending the scope of the two Saturday music centres
								  by providing a wider range of instruments and increasing the capacity
								  for 11-14 year olds. The extent to which the musical needs of the dominant
								  African-Caribbean population are met and the imaginative exploitation
								  of available talents without any direct Borough Council support are
							  remarkable by any standards. West Lothian Whilst authorities are understandably
								  proud of their youth orchestras’ outstanding performances, it
								  has rarely, if ever, been our practice to highlight the achievements
								  of individual ensembles. There has to be at least one exception and
								  we are delighted to share it with our readers: West Lothian seems to
								  be bursting at the seams with school area ensembles of all types giving
								  public performances at the drop of a hat (apparently to a combined
								  total audience of 3000!). At the top of this musically wondrous heap
								  sits/stands the West Lothian Schools Brass Band who are currently European
								  champions, British champions and, for the third consecutive year, Scottish
							  champions! The Instrumental Music Service’s early years’ programmes
							    were imaginative, exciting and, we would predict, seed sowing, from
							    the “Wee Music Makers” focusing the majority of the primary
							    schools on rhyme, song and percussion; teacher CPD leading to the
							    production of a teacher pack for future use; “The Undersea World
							    of Bubble McBea”, a magical interactive operatic adventure for
							    3-6 year-olds told through song, puppetry, dance, film animation and
							    joint working with Scottish Opera; and, finally, “Monster Music”,
							    a concert series for nursery children by the Royal Scottish National
							    Orchestra. A partnership with the National Youth Choir of Scotland
							    provided progressive, innovative vocal music education for over 600
							    pupils and 122 staff. We understand West Lothian is the fastest growing
							    area in Scotland; it must be the music!  
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