|
East
Ayrshire A particularly small Authority, which demonstrated strength
in depth and breadth. Imagination and creativity were on display
throughout and nowhere more so than through a near plethora
of partnerships and collaborations which enabled the skills
and talents of professional musicians to be drawn upon in abundance.
Singing was well established with good opportunities for choral
development. Apart from popular music, such as rock, most genres
were covered and excitingly so. And amidst all that industry,
time and space was found for gifted and talented young composition
students with a series of workshops delivered by the Scottish
Chamber Orchestra, which also performed works by the young
composers.
East Ayrshire’s coal mining heritage and the 50th anniversary
of a local pit disaster were the subject of a musical project involving
630 pupils in18 primary schools and leading to seven costumed performances.
An even smaller Authority, East
Lothian, can boast
of an extensive range of provision from pre-school to adult,
from school mainstream to prison education, vocal and instrumental,
classical, Scottish traditional, some rock and jazz and world musics.
Project work offered much in the way of musical development whilst
at the same time accommodating feelings and self-esteem. There was
good use of digital technology in the secondary sector. We were impressed
by an informal music education project offering tuition, rehearsal
and public performance opportunities to children and young people
aged between 8 and 25. The emphasis on developing young people’s
original music has been applauded also by the PRS Foundation for
New Music as has the splendid work being undertaken at HM Prison
Saughton. One of many new initiatives to catch our eyes was the setting
up of a Youth Music Forum to support and develop a network for young
people’s
music in the area. The aim is to develop a strategic approach
to youth music development, including community involvement opportunities,
strengthening links and pathways between schools, colleges, community
music and the professional music sector, and sharing expertise and
resources. To that end, a full mapping exercise is under way. We
look forward to further reports.
Hertfordshire are an education authority
with a long tradition of high quality provision. Always well
resourced and enterprising; all genres treated seriously and imaginatively,
which along with the practice of collaborative working with the many
local authorities in the County and the Music Service’s commitment
to lifelong learning, means that community cohesion is more
real than mere rhetoric. There is still a way to go with the reach
of Wider Opportunities programmes, but the Music Service’s support
for school curriculum delivery generally is outstanding. And one of
the main reasons why that is possible is the high quality and breadth
of the CPD courses and activities made available. And, as always, with
this Authority, the volume and range of regular performance opportunities
through ensembles of all sizes and types, in and out of school, could
hardly be bettered. And whilst this rich mix doesn’t need icing,
there is icing aplenty in the national recognition accorded to the
Authority for their major capital investment, as part of Building Schools
for the Future, in a new home for the Watford School of Music and the
Watford Boys Grammar School Music Department., which comprises a 250
seat concert hall and 24 discrete rehearsal and practice spaces spread
across four floors.
Highlights of Oxfordshire’s year included successful
pilots for extended schools projects where the Music Service worked
in collaboration with museums, libraries, day centres and City Council
holiday schemes to provide music opportunities which re-engaged children,
young people and adults, enriching learning in formal and informal
settings. And while we may have some residual reservations about the
specialist schools concept, we welcomed the way in which one such transformation
included the establishment of a Saturday morning music school.
The County-wide Music Education Group of over 30 local musicians
and organisations only begins to be representative of an enormous
number (the list runs to three pages!) of partnerships and collaborations.
The Music Service’s strong commitment to integration with the
school curriculum is evidenced in several ways as is the commitment
to INSET and CPD. And, predictably, we have to say, so far as this
education authority are concerned, the range and scope of opportunities
provided throughout the year for regular ensemble/workshop and out
of school hours playing in all genres are as impressive as ever.
While Redbridge’s year was chock full of new
initiatives, it was the activity level in the 39 Wider Opportunities
schemes implemented in the year which caught our attention. 90 per
cent of primary schools participated and a good range of instruments,
including for world musics, was available, and lessons comprised singing,
rhythm and general musicianship skills. To reinforce the inclusivity
of the programmes, schools were asked to provide detailed information
about pupils with special educational needs. The Music Service was
up to speed with music technology, and is yet another Service providing
a substantial number of examples of how much more can be achieved through
effective partnerships. Notwithstanding a well above average-sized
school population, the Music Service also provided for adults, both
directly and in kind.
Choral work was strong, and the very substantial spread of instruments
available facilitated the seemingly innumerable group instrumental
performance opportunities. We agree with Jazz Services that by virtue
of the work with the Grand Union Youth Orchestra, the jazz know-how
of members of staff and the high profile locally of its own student
jazz orchestra, the Music Service is well on the way to making a distinctive
contribution to jazz education.
It was worth waiting the five years since we last received a submission
from Redbridge!
Southwark maintained their heavy emphasis on the
development of Wider Opportunities programmes. A much needed extension
of the range of available instruments is planned as is the introduction
of programmes into more schools. The Wider Opportunities focus, apart
from the intrinsic merits of the concept, makes sense and indeed succeeds
because all the instrumental tutors are employed directly by the schools.
We hope the planned pilot for extension of Wider Opportunities into
key stage three, bravely based on Musical Futures, bears fruit. There
was also a focus on extending the scope of the two Saturday music centres
by providing a wider range of instruments and increasing the capacity
for 11-14 year olds. The extent to which the musical needs of the dominant
African-Caribbean population are met and the imaginative exploitation
of available talents without any direct Borough Council support are
remarkable by any standards.
West Lothian Whilst authorities are understandably
proud of their youth orchestras’ outstanding performances, it
has rarely, if ever, been our practice to highlight the achievements
of individual ensembles. There has to be at least one exception and
we are delighted to share it with our readers: West Lothian seems to
be bursting at the seams with school area ensembles of all types giving
public performances at the drop of a hat (apparently to a combined
total audience of 3000!). At the top of this musically wondrous heap
sits/stands the West Lothian Schools Brass Band who are currently European
champions, British champions and, for the third consecutive year, Scottish
champions!
The Instrumental Music Service’s early years’ programmes
were imaginative, exciting and, we would predict, seed sowing, from
the “Wee Music Makers” focusing the majority of the primary
schools on rhyme, song and percussion; teacher CPD leading to the
production of a teacher pack for future use; “The Undersea World
of Bubble McBea”, a magical interactive operatic adventure for
3-6 year-olds told through song, puppetry, dance, film animation and
joint working with Scottish Opera; and, finally, “Monster Music”,
a concert series for nursery children by the Royal Scottish National
Orchestra. A partnership with the National Youth Choir of Scotland
provided progressive, innovative vocal music education for over 600
pupils and 122 staff. We understand West Lothian is the fastest growing
area in Scotland; it must be the music!
|